Wednesday, April 16, 2008
Wandering the city
Like lost pukekos in a dry swamp, the Henkel Troupe wander the city streets looking for the hub of cultural activity. Luckily the rain came down in the afternoon making all concerned feel right at home.
Doctor of philogyny, Dr Crewdaughter caught in a casual moment of reflection. His fine handiwork with the paintbrush displayed behind.
The Dr uses his musical telescope to introduce the musicians to some of the local insect life.
The troupe pay their respects to St Patrick as the higher power of financial game-playing and exploitation of addiction towers dangerously above.
The Doctor surveys the landscape.
Tuesday, April 15, 2008
RAIN RAIN RAIN
Monday, April 14, 2008
Beresford square
These men are acting. They are in no way deranged, unhappy or held under duress. Their expressions are intentional and hope to communicate a way of being. A different way of being. This is what we have come to expect from great artists, they will go there so that you don't have to,
Long-Jim Henchman (pictured above) reinacts the 'crossing of the line' that Henkel described where he takes a joke with the locals too far, ending up in a horribly rift that left most of the Troupe hungry for the rest of the evening.
"Where is Beresford Square" they sing. "Is it over there?" "Is it nearby?" "Where oh where is the square?"
The Hungry sailors eye up what might be their last meal.
Four performers from the chorus.
Friday, April 11, 2008
Drifting seaward
We made our way down the windy gulley that is now Queen St towards Khartoum Place, once destribed as 'a sunny nook where we took our fill of pigeon, potatoe and fresh running water'. The abundance of food was a little more protected now as the local restranteur tried very hard to move us on. Perhaps he could see how hungry we were.
The dapled light of the courtyard reveals the truth in the hanging banner, not far from art Regis Macfleebin is pictured here demonstrating an appropriate positioning for such activity.
And furthermore to conceil one's own involvement in such activity the troupe demonstrate the stance of denial (or self-innocence)
A bad omen for things to come perhaps. Lighting always strikes twice!
Gentie Crewdaughter offers advice to the dog handler whose whistled comands appear to elicite no response.
The dapled light of the courtyard reveals the truth in the hanging banner, not far from art Regis Macfleebin is pictured here demonstrating an appropriate positioning for such activity.
And furthermore to conceil one's own involvement in such activity the troupe demonstrate the stance of denial (or self-innocence)
A bad omen for things to come perhaps. Lighting always strikes twice!
Gentie Crewdaughter offers advice to the dog handler whose whistled comands appear to elicite no response.
Thursday, April 10, 2008
Goodmorning Auckland
It was a long long drive for some, a short hop via the big bird for others and just a pop down the road for one, but we finally assembled on Pigeon Park to spread the news of Henkel and his Troupe.
The cemetary nearby is home to one of the original Henkel Troupe - who died tragically on his way to the sparkling waters of the Waitemata Harbour. Cause of death are unknown, though his ship's name 'Flakey Jake' suggests he may have been suffering from scurvey for many weeks. The troupe buried him there alongside his favourite pipe and a manuscript written by Henkel himself titled 'scaley old Jake was a handsome mate'. The cemetary was later to become Auckland's Jewish cemetary.
Greer Twiss's bronze sculpture 'Karangahape Rocks' 1966-9 (pictured above) lays tribute to Henkel's place in musical history, acknowledging this spot as a gathering place for song and dance.
Warwick reinacts the scattering of the ashes of Flakey Jake's favoured parrot.
Retracing the first tentative musical steps towards the Waitemata - led by Longhorn Ike.
The lost souls of Henkel's troupe pay tribute to Pigeon Park Cemetary
The men had an 'uncanny way with local flora and fauna, often followed for long distances by a trail of birdlife.
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